I tell you the one thing that really worries me about Season two are: (a) Tim Kring's public lamentation over how sorry he is that the first third of the season was "so slow," and (b) the writer's strike. Together, I figure the show's on the verge of being cancelled, despite being the #1 hit of the previous year. Apparently, for all the sophistication of the modern television viewer, the pacing of this season has been too complicated. I have not myself minded at all, but I've long since realized I'm a horrible gauge of the typical American viewer. Kring basically tore his shirt and rubbed ash on his face when a few weeks ago he apologized profusely for this season. That makes me worry that the rest of this season is going to be a deviation from his original story, which hopefully won't backfire and end up being an "overshooting" sort of thing as he tries to readjust. If you had a narrative arc mapped out, then how does this season's struggling ratings combined with the writer's strike change that? Lost has 6 episodes in the can plus 2 scripts written, meaning they'll own the spring of the strike doesn't end soon. I worry that that means Heroes will be returning to the small screen after having lost the chance to recover from its bumpy beginnings this season, which may be the one thing that even Claire Bennett cannot heal.
Did you see that? I totally rocked the metaphor just then. I just used a character's healing abilities to discuss the potential doom of the show if the writer's strike doesn't end! I am so awesome.
No comments:
Post a Comment